Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

Coming off the loss of Quincy Jones, Benny Golson, Roy Haynes and Lou Donaldson at the end of 2024, it’s truly a treat to bring you a fresh interview with one of the last musicians of the Bebop era, the saxophone colossus himself, Sonny Rollins. Since we last spoke, a couple interesting artifacts from Rollins life have surfaced: "The Notebooks of Sonny Rollins" and "Rollins in Holland." We discuss those releases, his spirituality and the loss of some of his comrades in 2024. You can hear a playlist of some of our favorite Sonny Rollins songs HERE.See omnystudio.com/listener for privacy information.

Alejandro Escovedo is a Texas-born singer/songwriter who comes from a rich family of musicians including his niece, Sheila E. Alejandro started out in the pioneering San Francisco punk band the Nuns in 1975. From there he moved to New York, and then eventually settled in Austin where he started playing rootsy rock with bands like Rank and File, as well as The True Believers. In March, Alejandro Escovedo released his latest album, Echo Dancing, a retrospective of his career that spans five decades. Inspired by artists like Brian Eno and Suicide, Alejandro Escovedo both re-imagines and re-records his previous work on the new album. On today’s episode Bruce Headlam talks to Alejandro Escovedo about his upbringing in San Antonio and Huntington Beach, where he’d sometimes pretend to be Hawaiian to avoid getting beat up. He also tells some great stories about his swings through Austin and San Francisco—like being on the bill for the Sex Pistol’s final show. You can hear a playlist of some of our favorite Alejandro Escovedo songs HERE.See omnystudio.com/listener for privacy information.

2024 has been a career-defining year for St. Vincent. In April she released her self-produced seventh album, All Born Screaming. Then in November she released the Spanish language version of the same album, called Todos Nacen Gritando, as a tribute to fans she met in Spain and Latin America. The album doesn’t serve to replace the English language version, but instead supplements it brilliantly and provides a renewed listening experience. Of all the St. Vincent projects dating back to her debut album in 2007, this is the one that feels the most steeped in a singular vision On today's episode St. Vincent talks to Justin Richmond at Amazon Music’s Studio 126 about the difficult production process behind her latest release. She also sheds light on her experience touring the album, which continues well into the new year with some dates featuring Olivia Rodrigo and Nick Cave. And she talks about how she developed what she describes as her high-level taste despite growing up in the middle of the country pre-internet. You can hear a playlist of some of our favorite St. Vincent songs HERE.See omnystudio.com/listener for privacy information.

This week we're sharing an episode from one of Slate's podcasts called Hit Parade. A decade ago, Rolling Stone magazine called 1984 “Pop’s Greatest Year.” A bold statement…but a lot of critics agree. A confluence of factors—the comeback of dance music, the peak of MTV, the Second British Invasion and the emergence of metal and hip-hop—made the radio a great place to be. Join Chris Molanphy in this episode of Slate's Hit Parade as he dissects eight reasons why 1984 was awesome for pop fans and walks through all 20 of the year’s No. 1 hits: from “Jump” to “Hello,” “Karma Chameleon” to “Caribbean Queen,” “Let’s Go Crazy” to “Like a Virgin.” You can listen and subscribe to the Hit Parade podcast on your favorite podcast player. See omnystudio.com/listener for privacy information.

Conor Oberst's music is dynamic, deeply smart, captivating, funny, and sometimes biting. His extensive catalogue dates back to the early '90s and includes music with Bright Eyes, Desaparecidos, the Mystic Valley band, the Faint, Commander Venus, Monsters of Folk, a collaboration with Phoebe Bridgers, and of course his solo material. On today's episode Justin Richmond and Conor Oberst discuss Conor's deep catalogue, and Conor recalls how he got his start by sending valentines to his favorite indie labels. He also explains how he was able to build an independent musical movement in his native Omaha, Nebraska. You can hear a playlist of some of our favorite Conor Oberst songs HERE.See omnystudio.com/listener for privacy information.

Hiatus Kaiyote is an incredibly talented group of four Australian musicians—vocalist and guitarist Nai Palm, drummer Perrin Moss, bassist Paul Bender and Simon Mavin on keys. But those aren’t permanent stations for any of them, they often move between instruments and all contribute to writing some of the most beautiful soulful music of the last decade. Their latest album, Love Heart Cheat Code, came out earlier this year. It's the group’s fourth proper album and features some of their strongest songwriting yet while still managing to weave in some of the incredibly complex musical ideas they’re known for. For today's episode, Justin Richmond met up with Hiatus Kaiyote at NRG Studios in Los Angeles, at the end of their US tour to talk through their new album. They also touch on their role as collaborators within—and outside of—the group, and we'll hear them perform a live set. To see the full video version of this episode along with the band’s performance, visit YouTube.com/BrokenRecordPodcast. You can hear a playlist of some of our favorite Hiatus Kaiyote songs HERE.See omnystudio.com/listener for privacy information.

Today we have Aoife O’Donovan on the show who was nominated for two Grammy awards this year: Best Folk Album for her latest release, All My Friends, as well as Best American Roots Song for the album’s title track. Aoife is a wonderfully prolific singer and songwriter from the Americana tradition—who also has an academic background, having studied improvisation at the New England Conservatory of Music. Her latest album is a gorgeous set of songs inspired by the life and work of suffragist Carrie Chapman Catt, and it celebrates the 100 year anniversary of women securing the right to vote in the United States. In Aoife’s conversation with Bruce Headlam on today’s episode you’ll hear her perform some songs live and hear her talk about how this project crystallized for her, and some of the challenges it posed. You can hear a playlist of some of our favorite Aoife O’Donovan songs HERE.See omnystudio.com/listener for privacy information.

Kim Deal is an indie-rock icon. In the mid-80s, she joined The Pixies as the band’s original bassist and co-vocalist. After the release of their debut album Come On Pilgrim in 1987, followed by the alt-rock classics Surfer Rosa and Doolittle, Kim took a break from The Pixies to form her own band, The Breeders. With the help of Kim’s twin sister Kelley on lead guitar, The Breeders released a couple EPs and four studio albums, including the platinum-selling ‘90s hit, Last Splash. This year after a run with The Breeders opening up for Olivia Rodrigo's worldwide Guts tour, Kim Deal is once again heading out on her own with the release of her first solo album, Nobody Loves You More. The album was recorded by the late Steve Albini, a close friend and longtime collaborator of Kim’s, and it features a slew of her other old friends and collaborators, including Slint’s Britt Walford on drums, and The Breeders Josephine Wiggs, Jim Macphearson, and of course Kelley Deal. On today’s episode Leah Rose talks to Kim Deal about working with Steve Albini on The Pixies Surfer Rosa, and why he always regretted a specific contribution to that album. Kim also recalls recording The Breeders’ first two albums, and she remembers how a group of surfers on a druggy trip to Nantucket helped inspire her new lead single, Coast. You can hear a playlist of some of our favorite Kim Deal songs HERE.See omnystudio.com/listener for privacy information.

Soccer Mommy is one of the stand-out singer/songwriters to emerge over the last half decade. She was born Sophia Allison and raised in Nashville, Tennessee where she started playing guitar at six years-old. Sophia started posting her songs on Bandcamp in 2015 under the name Soccer Mommy the summer before moving to New York to study the music business at NYU. Two years later she dropped out after signing her first record deal with Fat Possum. Since then she has released four albums and toured with artists like Vampire Weekend, Phoebe Bridgers and Mitski. Soccer Mommy’s latest album Evergreen is a reflection on grief and loneliness, and was described recently by Pitchfork as the, “most laid back and pastoral music of her career.” You can hear a playlist of some of our favorite Soccer Mommy songs HERE.See omnystudio.com/listener for privacy information.

Billy Bragg came up in East London—Barking, Essex to be exact. It's fitting given the characteristic howl of his vocals. Listening to him these days, it’s hard not to recall the late-great Joe Strummer or the modern brilliance of Archy Marshall, a.k.a. King Krule. In the mid-80s, a musical era driven by production, Billy Bragg was all about songs. He was one of the great standard bearers of political music carried on from both the folk and punk traditions. On today's episode Bruce Headlam talks to Billy Bragg about using music as a political tool, and whether it can truly affect change. Billy also reminisces about his first trip to the U.S. in ‘84 opening for Echo & the Bunnymen, and his collaboration with Wilco to bring unpublished Woody Guthrie songs to life. You can hear a playlist of some of our favorite Billy Bragg songs HERE.See omnystudio.com/listener for privacy information.

We occasionally field emails and DMs from Broken Record listeners telling us who they’d like to hear on the program. The past handful of years, one name has come up more than others: Julian Lage. Now, if you’re not part of the converted, not a member of one of his devoted legion of fans that may come as a surprise. But if you get the chance to spend some time with his music after listening to this episode… I have one word for you: welcome. Julian’s path in music has been as unique as his gifts. He picked up the guitar at five years old and quickly became obsessed with the instrument. That obsession and what must be some level of innate abilities led to his designation as a “child prodigy” and, as you’ll hear, the opportunity to play live on stage with Carlos Santana live at eight and live on a Grammy telecast at 13. But it’s his development as an artist, over the course of four albums in four years on Blue Note that’s most impressive. His album Speak to Me came out earlier this year and is impressionistic in its beauty rather than prodigious, often quiet, rather than flashy. For the last episode in our series celebrating the creative legacy of Blue Note Records over 85 years, Don Was and I spoke with Julian Lage in front of a live audience at the Blue Note club in NYC. We talked about his upbringing as a prodigy, about the writing and recording of his new album and about his unique approach to learning and playing guitar. Oh, and he plays a little too. You can hear a playlist of some of our favorite Julian Lage songs HERE.See omnystudio.com/listener for privacy information.

A conversation with Charles Lloyd feels like a veritable interaction with the pages of history. I was continuously surprised throughout my conversation with Charles, along with Don Was, about the depth of his experiences…and the wisdom too. Charles is an inordinately beautiful tenor player from Memphis, Tennessee - who grew up at a time where the region was brimming with talent… Elvis Presley, Howlin' Wolf, Junior Parker, Billy Lee Riley, B.B. King and so many more were from there or made their careers there. It was also a popular destination for touring artists giving a young Charles an incredible musical education. On today’s episode of Broken Record, another in our series celebrating the 85th anniversary of Blue Note Records… I have Don Was as my co-host and we talk to Charles Lloyd about his colorful upbringing in Memphis and about the early Los Angeles jazz scene he became a part of after moving to California to attend USC. This conversation goes a lot of places… from Elvis to Quincy Jones to the Beach Boys and far beyond. And please be sure to check out his wonderful new album out on Blue Note, The Sky Will Still Be There Tomorrow. You can hear a playlist of some of our favorite Charles Lloyd songs HERE.See omnystudio.com/listener for privacy information.

Meshell Ndegeocello doesn’t fit neatly into any “jazz” label - or any label of any kind for that matter. She’s a phenomenal bass player, deep songwriter, beautiful interpreter of song, wonderful band leader and has had one bad ass career. It’s fitting that after a circuitous journey through the industry that started as one of the premiere artists on the Madonna helmed Maverick Records in the early 90s, that she’s now released two albums on Blue Note Records under Don Was. The first was last year’s The Omnichord Real Book — a project with a fascinating origin we’ll be discussing on today’s episode. The latest is 2024’s No More Water: The Gospel of James Baldwin … a tribute to two of the great Black American writers and thinkers of the last century: James Baldwin and Audre Lorde. That might sound heady but consider the source: Meshell is the product of a Washington DC upbringing … a city awash in culture like Go-Go Music and also politics, think tanks and the like. Like her DC home, Meshell’s a great synthesizer of music and ideas. Joining Meshell, Don Was and myself in our chat is Abe Rounds … an in-demand drummer and musician who’s been playing with Meshell since she picked him out of Berklee College of Music. And has also worked closely with Andrew Bird, Nick Hakim, Blake Mills and many more. In today’s episode he helps us gain some valuable insight into what it’s like to be a close collaborator of Meshell Ndgeocello’s. You can hear a playlist of some of our favorite Meshell Ndegeocello songs HERE.See omnystudio.com/listener for privacy information.

We’re continuing our celebration of Blue Note Records’ 85th Anniversary this week with a conversation with a certified living legend: Ron Carter. For starters Ron Carter was a key member of a group that’s on the shortlist for greatest band of all time: The Second Great Miles Davis Quintet featuring Mr. Carter, Herbie Hancock, Wayne Shorter, Tony Williams and, naturally, Miles Davis. And although many conversations with Ron start and end with that period of his life from 1964 to 1968, at 87 years of age and as a life long seeker, there’s a lot more to the Ron Carter story. Blue Note president Don Was and Justin Richmond interviewed Ron Carter on stage at the Blue Note club in NYC. They set out to learn about his life growing up in Detroit, and his classical aspirations. Maestro Carter delivered an emotional stream of consciousness response as well as insights into a few key people from the Blue Note's esteemed history. You can hear a playlist of some of our favorite Ron Carter songs HERE.See omnystudio.com/listener for privacy information.

Blue Note is one of the first and longest standing institutions of Jazz music. Since its formation in 1939 the label has put out albums by Robert Glasper, Lee Morgan, John Coltrane, Wayne Shorter, Gergory Porter, Bobby McFerrin, and so many more. To celebrate 85 years of music from this iconic label, Justin Richmond and Blue Note’s current President Don Was recorded a series of interviews with the label’s past present and future: Ron Carter, Meshell Ndegeocello, Charles Lloyd, Julian Lage and today, Norah Jones. Norah has been with Blue Note Records since releasing her juggernaut 2002 debut album, Come Away With Me. Her latest album, Visions, was created with New York’s Leon Michels of El Michel’s Affair. Their two distinctive sounds blend beautifully to make an album that stands out not only as a new texture in her discography, but some of her strongest work to date. On today's episode, Norah Jones details her musical upbringing and what it was like striking it big with her debut album. She also performs for us, and talks about the musical freedom she's found as part of the Blue Note family. You can hear a playlist of some of our favorite Norah Jones songs HERE.See omnystudio.com/listener for privacy information.

We have a two-part episode for you today in honor of the great Stevie Wonder. First we will hear the Pulitzer Prize winning writer Wesley Morris talk about the making of his new Audible original, The Wonder of Stevie. Then, Justin Richmond talks to the pioneering electronic music producer Robert Margouleff, who in 1968 together with Malcolm Cecil, built the world's largest analog synthesizer known as TONTO. Over a four year period, Stevie Wonder worked closely with Robert, Cecil, and TONTO to record a string of albums now known as Stevie’s “classic period:” Music Of My Mind, Talking Book, Innervisions, and Fulfillingness’ First Finale. On today’s episode Robert Margouleff talks about recording those classic albums, and Stevie’s creative process. Robert also remembers how Stevie changed after surviving a near-fatal accident in 1973. You can hear a playlist of some of our favorite Stevie Wonder songs HERE.See omnystudio.com/listener for privacy information.

At just 8 years-old, Lainey Wilson announced to her family that she was destined to become a country music star. There were no other musicians in her family to speak of—for five generations her people had been farmers in a tiny Northern Louisiana town with the population of 180. After graduating high school, Lainey drove North to Nashville in a camper trailer that she lived in alone for three years. Success did not come easy. In those first three years, Lainey wrote over 300 songs, and it wasn’t until year eight that she finally signed a record deal. All of her hard work finally paid off in 2021, when her debut single “Things A Man Oughta Know” raced up the country music charts. Several radio hits followed, and last year Lainey swept the award season, winning a ton of trophies including the Grammy for "Best Country Album" and “Entertainer Of The Year” at the Country Music Awards. In August, Lainey scored her first crossover hit with the release of her latest album, “Whirlwind,” which debuted at number three on Billboard, and became the highest-selling album of her career. On today’s episode, Leah Rose talks to Lainey Wilson about how grit and determination became one of the central pillars of her success. Lainey also opens up about being physically objectified online, and the reality of playing alongside some of her musical heroes like The Rolling Stones and Dolly Parton. Check out the full video of this interview and other recent episodes at youtube.com/brokenrecordpodcast. You can hear a playlist of some of our favorite Lainey Wilson songs HERE.See omnystudio.com/listener for privacy information.

Crowded House had one of the most enduring hits of the 80s with “Don’t Dream It’s Over.” The commercial and critical success of that song launched the Australian-New Zealand band and its esteemed Kiwi songwriter, Neil Finn, to pop stardom. The band made three more critically acclaimed albums before breaking up in ‘96. But over the years the band has come back together at various times to put out new projects including their latest, Gravity Stairs. You can hear a playlist of some of our favorite Crowded House songs HERE.See omnystudio.com/listener for privacy information.

Raphael Saadiq is one of the great R&B writers and producers of the last 30 years. He started out fronting and playing bass in the group Tony! Toni! Toné! with his brother D’Wayne Wiggins on guitar. The Tony’s had an amazing four album run from ‘88 through 1996 with hit singles like "It Never Rains (In Southern California)," "Feels Good," "Anniversary," and "If I Had No Loot." Raphael’s also released five solo albums starting with 2002’s Instant Vintage. His most recent album, Jimmy Lee, is a collection of very personal songs about the real traumas he and his family experienced growing up in Oakland, CA. Raphael’s also done some amazing work behind the board. He’s produced and written for the likes of D’Angelo, TLC, Mary J. Blige, Solange, Earth Wind and Fire and just recently he worked on a handful of songs on Beyoncé’s Cowboy Carter. He’s also earned an Academy Award nomination for his work as a film composer. This week Justin Richmond talks with Raphael Saadiq from his studio in Los Angeles about some of the incredible work he’s done recently. Raphael breaks down his collaboration with D’Angelo on the classic track “Lady,” and how Sly Stone bassist Larry Graham influenced a generation of musicians coming up in the Bay Area.  To see the full video version of this episode, visit: https://www.youtube.com/@BrokenRecordPodcast/videos You can hear a playlist of some of our favorite Raphael Saadiq songs HERE.See omnystudio.com/listener for privacy information.